Three poems by Kirstian Lezubski
by Kirstian Lezubski
August 2, 2026 | Poetry | SHOOOUTTTTT!
© Anonymous
Big Picture Girl
I need to look closer. I’m a big picture girl,
fingerprints the size and texture of dead planets.
By touch alone I tell your home from your car and,
when the lights plunge out, your lock and key, kitchen.
Your bedroom door glints green and silver in the dark.
I don’t carry candles, I burn like UV light
and leave only dust in your skeleton closet
fine and soft, swept neatly into piles in the corners.
It’s hard to explain, but imagine a shadow
colonizing yours, inflating the passing cloud
to eclipse the sun and wither all the green things
growing in the ground. Imagine endless spring
regrowing but never bursting into summer
cursed to a runaway chain reaction that throws
Higgs bosons bigger than my ass. I saw a kid
the other day, my nipples pinched with milk. Why do
we associate children with summer? When all
they’ll have left is sand and salt pillars. Do you
often think of the end of the world, asks
my psychiatrist. Honestly, what I think of
most is ends: how the cursive loop infinity
is trig’s intuitive cousin, how this poem
may be dying alongside its brothers, sisters,
mother canaries in the cobalt mines and yet
I cannot stop unless I know. Greed, hubris
aren’t scalpel blades, they’re drugstore knives you got for
collecting fifty stickers on beans and rice or
at the thrift shop. All old paintings are fruitless
bowls, rimed with dust, the sagging dinette, the regret
of buying too-small pairs of pretty shoes, blisters.
Score the insoles with a sharp edge, burn the toe in,
but still I won’t dance nicely. Femininity
is a game we play, the same as any sport, love,
there’s rules and limits until the buzzer unmasks
us, sweat-drowned, brow beaten, club-fisted. We make do
with the weapons we’re given. Mine is urban sprawl,
and what happens when a river splits in two
as it’s dying, the melt under the trash can lid
filled with a pair of dead crows and mosquitoes
but not yet the virgin tick, lone star newcomer
to the place spring never left. Once I wore a ring.
Once I was his, or hers, or ours. These kinds of things
are more common, now, strangeness and charm overcrowd
up and down, and I, the cat, rubbing to and fro
in a closed system, a wooden box. The mourners
I hired with our last months’ security deposit.
Mind the stained carpet, the chipped formite,
because I’m taking what’s mine with me on this ark
into my new life, your knife my found religion,
navigation by constellation and fixed star
dots of hot words in my mouth. Since this began its
end was planned, Venus in her shell, pink and seed-pearled.
Last Seen Running Sunday Errands
I eat a slice of carrot cake in the car,
left on the wheel, right angles of streets planed
down to chip-seal concrete, soft around
my edges: like I might invite you in,
share a funny if pithy lesson we never
learned in school, remarkable only years later,
in retrospect, stopped at a red light,
glimpsed through cracked glass mirror splintering
sun and the shake of bass rattling the roof.
I don’t see you watching me lick the
icing from my fingers. But you remember how I
bite back like gravel playground falls.
Paradox: in recovery on a wedding day
It has to be a choice.
If that sounds oxymoronic it’s only because
love makes morons of the best of us. Steps
in our way, a chronic nagger with gentling voice
when our escapist urges see us root in crowded glove
boxes, scouring the dust for forgotten keys to triplexes
where exes’ hearts beat bloody beneath floorboards.
It watches us, says face it, we both know backwards is
an option—disavow your growth, your goals,
the complex winding streets you repeat like mantras,
except the changing courage it takes to trust the sun
will rise one day at a time. Live for yourself, why not?
Pick this moment’s happiness over the next’s,
That is of course
a choice.
But this? This life is choosing forever. That’s clean
for the rest of every daylight. That’s swallowing down the pill
of pride, choosing to let some petty aggression pass in the hall as
a sullen cat, back arched, eyes narrowed. Never again chasing
fleeting joys like fireflies but those you find in the night’s
eyes when she laughs instead of smiles, close-eyed. To choose
Forever is illogical; choice says you have options, but forever
means no more, no leaving, running, no more hits like cigarettes
burning bright orange in the night. This is
precisely why love is a choice. Impossible, impractical.
You wake every morning to another day and choose to say
Yes, I do. Yes, I still choose you.
Kirstian Lezubski is a poet, critic, and public servant from Winnipeg, MB in Treaty 1 territory. She is a queer, neurodivergent mother of two and a recovering academic with an MA in Cultural Studies. She draws upon her experience living with Generalized Anxiety Disorder in the Anthropocene and her work to inform her writing. Kirstian has provided editorial services within academia, and is currently Assistant Managing Editor at Tabula Rasa Review. She sits on the fundraising and social media committees for Herizons Magazine, Canada’s foremost feminist print magazine since 1992.