Three Poems by Jason Ryberg
by Jason Ryberg / September 27, 2026 / Poetry / Startled
© Master of Claude de France
Red As a Graveyard Rose,
Mean As a Junkyard Dog
I’ll be your paper-
maché Mephistopheles,
your house of two-way
mirrors, your stud-bull
weened on Kali’s teat. I’ll be
your thimble of soil
where the seed of the
tree of knowledge was planted,
your lone spark from the
sacred fire, your sea
the color of lead, your sky
the color of smoke,
the ever-shifting
variable to your un-
wavering constant,
red as a graveyard
rose, mean as a junkyard dog.
I will be the wind
hoarse with howling, the
bee feeding on the nectar
of the dark flower
of night, the lie for
the lie, the truth for the truth,
the blue moon in the
window, the wolf at
the door, the cigar-smoking
monkey at the type-
writer, if only
you would be my daisy, my
huckleberry, my
angel to rattle
the cage of my dreams with your
shiny black nightstick.
The Shipwreck of Our Arrival
Reality is
an interesting concept:
a haunted machine
of many moving
parts (with no clear instruction
manual to help
us assemble a
working model, even, and
all our tools lost in
the shipwreck of our
arrival, here, in this world
of fleeting moments
and passing clouds and
swiftly flowing rivers (that
are never the same
river no matter
how many times we dip our
empty cup into
it)), and here we are,
situated somewhere in
the universal
spectrum between gods
and insects: half angel /
half beast, and all too
human, with only
the many ghosts of the wind
to sing us to sleep.
There Be Monsters Here
The mosquitos are
buzzing madly and the blood-
hounds are baying for
blood, the tents of the money-
changers are being
folded up and here’s just a
few of the latest
headlines pulled from our ever-
streaming stock-market
ticker-tape of post-post-post-
modern times: among
other things we seem to some-
how be both fatter
and fitter than ever, some-
how dumber and more
clever, standing ever less
and less united,
yet sleeping, poorly, more and
more alone, somehow
richer and poorer, walking
taller but falling
shorter, and more jacked-up on
ever-more fucked-up
artificial stimulants
and responses, like
never before. And the lights
are dimming, and the
CEOs are skimming-off
the sweetest creams (and
honeys, too) and, if you would
care to adjust your
viewer, there, you can see we
seem to be swimming
in a human stew of our
own brewing juices
and goos (hey, just add liquor
and / or some other
variant of painkiller,
mood stabilizer
or mind altering substance;
we make our own rich
au jus). Yes, loan sharks, lawyers
and chiropractors
are calling in their marks of
due, cockroaches are
crawling out of the sinks and
the streets are lined with
the left-overs of last year’s
distractions and post-
warranty applications
and word has it from
the most holy and on-high
of authorities,
that our big American
cock has been offi-
cial-ly nailed to the floorboards,
for real, this time. And
the wily, one-eyed captain
with the faint cocaine
moustache and the sour bible
breath is steering our,
once proud (but now, just kinda
creepy and creaky)
old gal through a dense pea soup
purgatorio
of toxic greenhouse gasses
and effluvial
propagandas, closer and
ever closer to
that forbidden zone that reads,
clearly, there be monsters here.
Jason Ryberg lives part-time in Kansas City, MO with a rooster named Little Red and a Billy-goat named Giuseppe, and part-time somewhere in the Ozarks, near the Gasconade River, where there are also many strange and wonderful woodland critters.
I especially liked There Be Monsters Here